Scratch Space:

Rethinking Artificial Intelligence


Thursday, January 21, 2021, 12PM - 1:15PM

VENUE: Online

Rethinking Artificial Inteligence
Still of Stephanie Dinkins, Conversations with Bina48, 2014-present. Courtesy of the artist.

Stay connected: Enter your email address to begin receiving Montalvo's weekly e-newsletters!

SUBSCRIBE

How can we co-create more equitable, values grounded artificial intelligent ecosystems? How do we broaden discussions regarding the role of technology in society beyond the largely culturally homogeneous research labs and Silicon Valley startup culture? Join transmedia artist and scholar Stephanie Dinkins and digital media theorist and artist Jason Edward Lewis as we explore how to imagine a future with A.I. that contributes to the flourishing of all humans and non-humans.

Hosted by: Donna Conwell, Curator, Lucas Artists Residency Program and Kelly Sicat, Director, Lucas Artists Residency Program.

CART (Communication Access Real-Time Translation) captioning will be available for the full duration of this event.

ARTISTS:

(Click to expand bios.)

STEPHANIE DINKINS

stephaniedinkins.com

Stephanie Dinkins is a transmedia artist and professor at Stony Brook University where she holds the Kusama Endowed Chair in Art. She creates platforms for dialog about artificial intelligence (AI) as it intersects race, gender, aging, and our future histories. She is particularly driven to work with communities of color to co-create more equitable, values grounded artificial intelligent ecosystems. Dinkins’ art practice employs lens-based practices, emerging technologies, and community engagement to confront questions of bias in AI, data sovereignty and social equity. Investigations into the contradictory histories, traditions, knowledge bases, and philosophies that form/in-form society at large underpin her thought and art production. Dinkins earned an MFA from the Maryland Institute College of Art in 1997 and is an alumna of the Whitney Independent Studies Program. She exhibits and publicly advocates for inclusive AI internationally at a broad spectrum of community, private, and institutional venues – by design. Dinkins is Artist in Residence at the Stanford Institute for Human-Centered Artificial Intelligence, 2019 Creative Capital Grantee as well as a 2018/19 Soros Equality Fellow, Data and Society Research Institute Fellow Past fellowships and residencies include Data and Society Research Institute Fellowship, Sundance New Frontiers Story Lab, Eyebeam, Pioneer Works Tech Lab, NEW INC, Blue Mountain Center; The Laundromat Project, Santa Fe Art Institute, and Art/Omi. The New York Times featured Dinkins in its pages as an AI influencer. Apple Inc. recognized Dinkins’ research and community-centered efforts by featuring her as a local hero in their “Behind the Mac” ad campaign (Brooklyn, NY edition). Wired, Art In America, Artsy, Art21, Hyperallergic, the BBC, Wilson Quarterly, and a host of popular podcasts have recently highlighted Dinkins' art and ideas.

JASON EDWARD LEWIS

jasonlewis.org

Jason Edward Lewis is a digital media theorist, artist, and software designer. He founded Obx Laboratory for Experimental Media, where he directs research/creation projects exploring computation as a creative and cultural material. He directs the Initiative for Indigenous Futures, and co-directs the Indigenous Protocol and AI Workshops, the Aboriginal Territories in Cyberspace research network, and the Skins Workshops on Aboriginal Storytelling and Video Game Design. Lewis is deeply committed to developing intriguing new forms of expression by working on conceptual, critical, creative and technical levels simultaneously. He is the University Research Chair in Computational Media and the Indigenous Future Imaginary as well as Professor of Computation Arts at Concordia University, Montreal. Born and raised in northern California, Lewis is Hawaiian and Samoan. Lewis’ creative and production work has been featured at Ars Electronica, Mobilefest, Elektra, Urban Screens, ISEA, SIGGRAPH, and FILE, among other venues, and has been recognized with the inaugural Robert Coover Award for Best Work of Electronic Literature, two Prix Ars Electronica Honorable Mentions, several imagineNATIVE Best New Media awards and six solo exhibitions. His research interests include emergent media theory and history, and methodologies for conducting art-led technology research. In addition to being lead author on the award-winning “Making Kin with the Machines” essay, he has contributed to chapters in collected editions covering mobile media, video game design, machinima and experimental pedagogy with Indigenous communities, as well as numerous journal articles and conference papers. Lewis has worked in a range of industrial research settings, including Interval Research, US West's Advanced Technology Group, and the Institute for Research on Learning, and, at the turn of the century, he founded and ran a research studio for the venture capital firm Arts Alliance. Lewis is a former Trudeau Fellow and a former Carnegie Fellow. He received a B.S. in Symbolic Systems (Cognitive Science) and B.A. in German Studies (Philosophy) from Stanford University, and an M.Phil. in Design from the Royal College of Art.





RELATED: