OWEN DRIGGS

  • RESIDENCY DATES : Jul 15th 2012 to Aug 12th 2012 | Jun 4th 2013 to Jul 10th 2013
  • PRACTICE : Visual
  • FROM : USA

Owen Driggs
“Owen Driggs” is the collective identity of Matthew Driggs and Janet Owen. Individually experienced artists, educators, and curators, Janet and Matthew began their professional collaboration in 2007, after the spectacular success of their first major work, their son Theo. Together, as Owen Driggs, their practice focuses on the production of space and the impact of spatiality on action and discourse.

Initial works included a series of large-scale, hand drawn maps that elucidate aspects of Los Angeles history and Big Blue’s Dirt Park: a mobile opportunity to dig in the earth while learning more about local land use. Since 2009 Owen Driggs have operated a multi faceted initiative titled Performing Public Space, which explores and supports the diverse ways in which citizen artists activate public spaces. Aspects of Performing Public Space (PPS) include an eponymous exhibition and site specific performance series, which debuted at Tijuana’s Casa del Tunel.

In 2010 Owen Driggs exhibited and performed at the Los Angeles County Museum of Art where, having been invited by artists and curators Fallen Fruit to create a garden for Let Them Eat LACMA, they presented Roots of Compromise (with Ari Kletzky, John Birtle and Karen Atkinson) (ROC). A “garden of verbiage”, ROC navigated multifarious bureaucratic and legal pathways in an effort to grow produce on public land.

Most recently Owen Driggs organized the construction and performance of a giant octopus puppet at Occupy Los Angeles (OLA). The 70ft long, 20ft tall puppet, which is made of bamboo, bicycle inner tubes, plastic shopping bags, and parcel tape, was constructed via community process at the Occupy encampment over a six-week period. On Sunday November 20, in driving rain, forty puppeteers wound the creature – named Octupy – around Los Angeles City Hall to “make the corporate tentacles visible”. Octupy undulated again, this time with such telling accessories as a money-stealing hand and the “Hammer of Foreclosure”, on January 2, 2012 as part of “Occupy The Rose Parade”. (www.performingpublicspace.org)

  • SHOWED FROM MAY 31, 2013 - OCTOBER 31, 2013 | Come Healing