Sally Decker & Brendan Glasson

Sally Decker and Brendan Glasson explore relationships of sounds, searching for shape and balance between oppositional musical forces. Their first collaborative album, An Opening, was released on Full Spectrum Records in 2020. The duo wrote a piece for the two-player Auerglass Organ, made by Tauba Auerbach and Cameron Mesirow, for a performance at SFMOMA. In a piece for the High Desert Soundings festival, they examined dependence, independence, and interdependence with tape, reed organ, electronics, and feedback. They composed a multi-channel work for the Center for New Music using the historic synthesizers housed at the Mills Center for Contemporary Music, and performed a long-form piece for the Glenview Classical Series utilizing the church’s pipe organ and an analog synthesizer. In 2024 they created a piece based on acoustic feedback for the 176-speaker Audium Theater of Sound in San Francisco.