Programs

In these brightly hued and hand-embroidered panels, visitors read the concerns, hopes, and dreams of the artist as she considered the questions facing humanity today. Bangladeshi artist Yasmin Jahan Nupur has worked with jamdani, a centuries-old and disappearing fine weaving technique, which she uses to express individual and collective memories across time and space. In this work, whose draping forms are inspired by the memory of freshly-dyed fabric drying in the sun, the artist took a new approach to working with the jamdani by adding hand-embroidered text, bringing a traditional art form to bear on the contemporary themes addressed in…

At the base of the Great Lawn at Montalvo once sat four statues atop pedestals, referencing the four seasons. Today, the fourth pedestal is empty, its statue likely destroyed in a past earthquake. The remaining trinity are often likened to the Three Graces of Greek mythology—minor goddesses representing beauty, charm, and creativity. Situated on that vacant pedestal, RoCoCo imagines the addition not of a fourth season, but of a fourth Grace — Forgiveness, The Misplaced Grace. By filling the empty pedestal and reinterpreting the sculptures, “forgiveness” is elevated to the level of a Grace, dignifying our humanity in a way that the classical Graces…

In February 2018 RADIO Espacio Estacion, RADIOEE.net (consisting of Sebastian Bellver, Stephanie Elyse Sherman, and Agustina Woodgate), a mobile, multilingual, online radio channel broadcasting conversations about mobility and movement while on the move, joined us at the Lucas Artists Program and began work on developing a new 24-hr broadcast exploring self-driving vehicle technology and other automated mobilities while on the move. ​On November 15 and 16 they presented AUTOPILOTO, a marathon 24-hour radio transmission on all things self-driving broadcast live while on-the-move from a semi-autonomous vehicle looping the Bay Area. Transmitted in English, Spanish and Vietnamese, the broadcast explored how autonomy and automatic movement are transforming…

Featuring 10 light-based works ranging in scale from immersive to intimate, Bruce Munro at Montalvo: Stories in Light is an ambitious outdoor exhibition that has transformed Montalvo’s historic Villa and its extensive public areas into a spectacle of light. The exhibition includes existing and new works conceived and developed by Munro while in residence at the Lucas Artists Program. 

In her first exhibition in the United States, Brazilian artist Marilá Dardot premiered a large-scale installation of flags created by immigrant and refugee community participants during a series of public workshops. The flags, which represent in text or visual form something their maker misses about the country where they were born, were raised on Montalvo’s grounds on Sunday, July 15 at a communal flag-raising ceremony. With this work, Dardot seeks to amplify the voices of our varied diaspora communities, and honor the complexities and challenges of their experience in the midst of a divisive national conversation about immigrants and the…

Four Bridges is a site-specific sound work by award-winning composer Howard Hersh designed to be heard by listeners over mobile devices as they walk through Montalvo’s woodland environment. The work coordinates space, sound, and motion into a unique immersive ambulatory experience: as listeners follow a meandering woodland path on Montalvo’s grounds, they are taken on a sonic odyssey that leads them through redwood canyons into oak-lined meadows. Four Bridges’ narrative is inspired by our primal memories of the forest and the mythology that depicts it as an enchanted, mysterious place. It also explores the woods as a metaphor for our common journey and what it…

One of the most significant artists to emerge from post-Revolutionary Cuba, María Magdalena Campos-Pons created a garden for Montalvo’s grounds with participation from the community. Taking inspiration from an aerial photograph of a Soviet medium-range ballistic missile installation taken by a US Air force plane during the Cuban Missile Crisis of 1962, this garden is part peace memorial and part living sketch. Campos-Pons is interested in the uneasy juxtaposition of the visual beauty of the photograph upon which she based her garden plan—which looks like blooming flowers set inside a hexagram shape--and the horror and destructive capability that the image…